genre: Drama
directors: Scott Wiper
Country: USA
Year: 2020
ratings: 4,2 / 10 Star

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It's funny how it's been 21 years since the release of the first film and y'all still can't replicate the quality of the CGI. London calling meaning. London Calling Lyrics London calling to the faraway towns Now war is declared, and battle come down London calling to the underworld Come out of the cupboard, you boys and girls London calling, now don't look to us Phoney Beatlemania has bitten the dust London... 1 TOP RATED anonymous click a star to vote Jun 16th, 2009 6:21pm report London Calling is apocalyptic, written right after Three Mile Island partial meltdown in 1979. (In Clampdown, on the same album, they sing, 'Working hard in Harrisburg (closest town to TMI), working hard in Petersburg (site of a Russian nuclear institute)... begging to be melted down... "). Engines were theorized to stop running during a nuclear attack - don't know if people still believe that. In London, anything close to the Thames would be underwater during a flood caused by sea level rise or nuclear meltdown or any other reason, thus, you'd be the first to go. So no need to fear. Other apocalyptic images include the Sun becoming a red giant, an ice age taking place, and mass starvation. Not a pretty sight. London Calling itself is, of course, the call sign for the BBC. 2 TOP RATED Jun 19th, 2008 6:35am When Joe sings a "nuclear error" he is talking about a nuclear reactor in Pennsylvania that went into meltdown May 6th, 2019 5:47pm Two things to bear in mind with this song that people usually overlook. Firstly, Joe Strummer had a scattergun approach to writing lyrics - sometimes a part of the lyrics might be only loosely connected to the rest of the song. Secondly, there's a fair bit of irony in the song that people miss. Strummer has said in an interview that the song was about the demise, as he saw it, of the punk scene in London. He is calling the "faraway towns" looking for someone else to take up the baton of producing something new - this was not long after Two-Tone had come out of Coventry, which he had noted. I'm not sure about "war is declared" - perhaps a "war" for the future of music, or a response to Thatcher coming to power and the country moving to the right, something Strummer was concerned about - a fight was on. It's definitely NOT about the Falklands War. I would guess the "underworld" is the underground music scene and the culture that goes with it - Strummer believed that artists with something to say should aim for the mainstream. I interpret the Beatlemania line as not a dig at the Beatles as such, but as saying that bands should not be put on pedestals, including the Clash ("don't look to us"). The last line of the verse compares the image of "swinging London" to the reality of police brutality. The chorus is actually about something different - Strummer ironically lists various threats to humanity that have been aired in the media - a new ice age, nuclear meltdown (not long after Three Mile Island), crop failure, oil shortage - and concludes that he is more concerned about the fact the Thames Flood Barrier hasn't been completed as the Thames flooding is a direct threat to him. Strummer himself said that this is what the chorus meant. The "imitation zone" in verse two refers to how the punk scene had gone from being something open minded to a rigid set of rules about how to dress and what type of music to play (again Strummer's own explanation). I'm not sure about "zombies of death" but I suspect it's about the more negative, nihilistic elements of the punk scene. The "yellowy eyes" as a reference to hepatitis in the drug scene - Strummer himself had caught hepatitis in 1978 from injecting speed with a dirty needle (not from catching a mouthful of spit at a gig which was the "official" story). This is also not long after Sid Vicious, a friend of the band, had died from a heroin overdose. I'm not sure about the last verse, but there seems to be a lot of ironic humour here - "I was there too" is perhaps Strummer pointing out to critics within the punk scene that he had been one of it's original pioneers "you know what they said - well some of it was true" perhaps a defence of the original punk scene that was now being sneered at - but I'm guessing. "After all this won't you give me a smile" - again I'm guessing, perhaps a tongue in cheek response to those who were constantly criticising the Clash or being negative. As I say, Strummer's approach was a bit chaotic, jumbling different ideas together, but here as in many other of their songs, it all seems to work and hang together in spite of this. Mar 6th, 2012 3:23pm there's not a word about a chance of victory in it its more about necessity Oct 10th, 2011 10:54pm The band are saying `You`ll have to go it alone. In the War, we called out to the don`t look to us now. We have police repression, not freedom`. May 4th, 2011 5:57pm yellow eyes can be destroyed liver or the eyes of predators like wolfs and cats or both May 4th, 2011 5:53pm a clear call to arms to the just starting over punk movement around the world when squatting and rioting had become daily busines in some western metropolis. all the apocalyptic scenarios like nuklear madnes, global warming/poisoning were well known since the 60s and no one listened. all the industrial-waste-cleaning, smokefiltration and stuff hadn't toke place and it doesn't loked as it would. in fakt it was top of the dial not to late like nowadays. so a: dont folow; act! at no mater what cost seamed apropriade so give em a smile at least they tried Apr 3rd, 2011 4:55am I think it's fairly clear that the song is about various ways the apocalypse could happen. The "Nuclear error" is in reference to Three Mile Island nuclear power plant, which went into a partial meltdown in the 70's. As others have stated; the line "London is drowning, I live by the river" is about the fear that if the River Thames flooded the majority of central london would be underwater, and thus, living by the river would mean you would be one of the first to drown. The Thames barrier was built a few years later. and the chorus is about various causes of the apocalypse, such as an ice-age, "the sun zooming in", and famine. The rest, I think, is open to intepretation. This interpretation has been marked as poor. view anyway JoeStrummersGhost Aug 27th, 2010 8:27am I interpret this song as prophetic of what Western Capitalist societies will lead to for the world. The opening four lines appear to be a call to arms for those who stand against it. Strummer is calling out to the leftist punk "underworld" to rebel. The truncheon reference at the end of the verse is a clear reference to police totalitarianism and brutality. In the chorus, the lines "the ice age is coming, the sun's zooming in" appear to be a prediction of environmental disaster, something now seen to be true. The rest of the chorus also lists disasters that Strummer believes will or may have occurred due to society's errors. Other important lines in later choruses sugget that the people of Western countries are asleep to what is happening e. g "I saw you nodding off" and that the many (including themselves) who predicted a collapse will be proved right, (You know what they said, well some of it was true) Jul 18th, 2010 7:16am Three Mile Island Jun 13th, 2010 6:21am The song is not political, it is about a malfunction at a nuclear plant somewhere. I read this a while ago Aug 3rd, 2009 8:04am Reading these, I think the song is about the end of the world too. May 14th, 2009 5:00am 'London is drowning and I live by the river' is a reference to the fear that if the river thames was to flood, a large amount of central London would be left under water, hence the construction of the Thames barrier. The part about yellowy eyes is likely just referring to recreational drug use in general. The chorus is just referring to different ways in which the world could end. oil crisis (big at the time with trade embargo's and whatnot) famine, ice age/global warming ect. Oh and of course 'London calling' is a reference to the BBC radio call sign. Oct 9th, 2008 10:03pm The song is about various endings of the world. Ranging from the occult vision of the 2012 Mayan end of the "world as we know it" (IE not total destruction, but a sudden massive mental evolution) which involves the sun expelling massive electromagnetic radiation (the sun's getting closer) which is also thought by some occult to end technology's reign (engines stop running). Other possible end of world scenarios presented in the song are global warming (ice age is coming / river is rising and he won't have to face the horrors b/c he'll drown since he lives by it), nuclear war which is initiated accidentally (nuclear error). Just my interpretation, but any good artist leaves their songs open to anyone's opinion. Jul 20th, 2008 7:23pm I think this is about the end of the world too, it is all about global warming which personally I don't think will occur for thousands of years. But he is either saying I live by the river so I won't suffer I'll just die pretty quick or I live by the river so it won't be as powerful when it hits him so he wil be safe. I'm not too sure but I love the Clash! KillingTime Jul 10th, 2008 7:56pm It aint about the Falk' War. As has been pointed out, Joe was a Prophet but he wasnt that precise. The "Engines stop running" is about the end of Oil as a Motor feul, "wheat is growing thin" is a comment on the status of the World in the not too distant future. What I want to know,.. Is the line "see we aint got no highs, except for that one, with the Yellowy eyes" about Herion/ or speed or Alchol? Great song, Great Band f. t. m. R. I. P Joey & Deedee. More The Clash song meanings ».

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The Clash Add to Custom List Add to My Collection AllMusic Rating 10 User Ratings ( 0) Your Rating Overview ↓ User Reviews Credits Releases Similar Albums Give 'Em Enough Rope, for all of its many attributes, was essentially a holding pattern for the Clash, but the double-album London Calling is a remarkable leap forward, incorporating the punk aesthetic into rock & roll mythology and roots music. Before, the Clash had experimented with reggae, but that was no preparation for the dizzying array of styles on London Calling. There's punk and reggae, but there's also rockabilly, ska, New Orleans R&B, pop, lounge jazz, and hard rock; and while the record isn't tied together by a specific theme, its eclecticism and anthemic punk function as a rallying call. While many of the songs -- particularly "London Calling, " "Spanish Bombs, " and "The Guns of Brixton" -- are explicitly political, by acknowledging no boundaries the music itself is political and revolutionary. But it is also invigorating, rocking harder and with more purpose than most albums, let alone double albums. Over the course of the record, Joe Strummer and Mick Jones (and Paul Simonon, who wrote "The Guns of Brixton") explore their familiar themes of working-class rebellion and antiestablishment rants, but they also tie them in to old rock & roll traditions and myths, whether it's rockabilly greasers or "Stagger Lee, " as well as mavericks like doomed actor Montgomery Clift. The result is a stunning statement of purpose and one of the greatest rock & roll albums ever recorded. blue highlight denotes track pick.

London calling cards. London calling chords. London calling remastered. Part 3? when did part 2 come out. Totally missed the sequel. London calling salon. This is the sort of thing you'd have playing on screens in the background of a real movie with dialog. London calling bond. Only issue I have with the video is that the cymbals were played completely out of their designed genre. perhaps by design. They are obviously all jazz-oriented rides... heavy stick definition, dark tones, short sustain. Put them in a rock setting and they will sound out of place.

Hey, there were 3 of my favorite actors - Vinnie Jones, Malcolm McDowell and Ron Perlman. In a gangster movie. How cool, I thought. In the end, it was not cool, a bit tepid. Started out well, the premise and the set up. Then it fell flat all the way, meandering through the plot, until the final shoot out. And even then, for those expecting a brutal, bullets flying, blood splattering violence between a vengeful hard man Vinnie and a badass Perlman, you're gonna be disappointed. Any movie with Vinnie Jones it it, you know it's good. I love his natural gangster style appearance and demeanor in his movies. Given his reputation of "the toughest football player ever. he is perfect in playing the villain.
Good to see legendary actor Malcolm McDowell still going strong. (Calligula, Clockwork Orange)
This movie is a bit of a change to other Vinnie Jones movies. here he plays an aging gangster with a compassionate heart. A very good performance.
This is not the best of this genre movie I have watched, but I do rank it up pretty high. I enjoyed it.

London calling code. London calling mix. London calling card. London calling by the clash. London calling color street nails. London calling play. Looks awesome shows the dark side of #westvirginia. Such a beast✊✊✊. Calling london from us. Filmed in glorious Mustardvision. London calling clash. Nice mix of hard guy actors as leads. London calling to the faraway towns Now war is declared and battle come down London calling to the underworld Come out of the cupboard, you boys and girls London calling, now don't look to us Phony Beatlemania has bitten the dust London calling, see we ain't got no swing Except for the ring of the truncheon thing The ice age is coming, the sun's zooming in Meltdown expected, the wheat is growing thin Engines stop running, but I have no fear 'Cause London is drowning I live by the river London calling to the imitation zone Forget it, brother, you can go it alone London calling to the zombies of death Quit holding out and draw another breath London calling and I don't want to shout But while we were talking, I saw you nodding out London calling, see we ain't got no high Except for that one with the yellowy eye Engines stop running, the wheat is growing thin A nuclear era, but I have no fear I, I live by the river Now get this London calling, yes, I was there, too And you know what they said? Well, some of it was true London calling at the top of the dial And after all this, won't you give me a smile? (London calling) I never felt so much alike, alike, alike, alike.

Although technically an "eastern" rather than a western - it unfolds in the lush hills and shady honkytonks of West Virginia - this macho, contemporary-set crime thriller feels like something that got cooked up after a bender guzzling a Sam Peckinpah box set. Maybe chased with a few British gangster pics like Get Carter and The Long Good Friday. Indeed, it plays like several plots, genres and mood boards all mashed together, which makes the end result interesting but not entirely successful.

The British end of the story is carried over via the focus on Vinnie Jones's Neelyn, the hard-bitten, murderous muscle for slick, Perrier-drinking uber-gangster Harris (Malcolm McDowell, always a pleasure. The two of them and their respective lady friends, party girl Fiona (Lenora Crichlow) and escort Jackie (Elyse Levesque) have arrived in West Virginia to close a money-laundering deal with local oil baronet Preston (Ron Perlman. But the precarious spit-and-handshake accord is suddenly undermined when Neelyn suspects that Preston's skeevy scumball son (Brandon Sklenar, giving in some ways the best performance here) has done something awful to Fiona.

Writer-director Scott Wiper and his associates contrive with reasonable ingenuity to arrange several showdowns that involve fisticuffs, guns or both, small-scale displays of violence that are almost quaintly portioned out in small bites. But squint a little harder at it, much like the swaggering middle-aged men of the cast who all look half-asleep much of the time, and it all starts to look like booze-soaked nonsense that romanticises practically medieval notions of honour.

The female actors, including Leven Rambin as a barmaid fought over at one point, get the crappiest deal of the lot, compelled to simper, look frightened, dry-hump the chaps and not much else. Snooze.

Shot in and around Cape Town. interesting. Looks like a good effort with what was almost defintely a tight budget. London calling songfacts. London calling the clash. My wife calls my unit that 😦. When people will learn how to let go of projects that doesn't need a sequel.

The intro transition reminds me of your older drum remix

London calling with simon. Now this is the trailer I am be waiting for Vinnie Fookin Jones lol. London calling vinyl.

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